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| I Found a Penny Today, So Here's a Thought |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Taytay's Tales by Elisabeth Willis De Huff and illustrated by Fred Kabotie and Otis Polelonema, 1922.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From The Magic of Oz by L. Frank Baum and illustrated by John R. Neill, 1919.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Emblemland by John Kendrick Bangs and Charles Raymond Macauley, 1902.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Phil May's Illustrated Winter Annual, 1894.
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Shadows are not enough, apparently. From Susquehanna University's 1956 yearbook.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Duke University's 1922 yearbook.
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From The Invisible Reality Behind Appearances by Riley and Judy Crabb, 1965.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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"He brought his python when he came to see us." From The Australian Women's Weekly, 1947.
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The magic sword of Kenaz. From The Jewish Fairy Book, translated by Gerald Friedlander and illustrated by George Hood, 1920.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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From Armour Institute of Technology's 1919 yearbook.
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From Children's Paper, 1921.
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| [Inexplicable images from generations ago invite us to restore the lost
sense of immediacy. We follow the founder of the Theater of
Spontaneity, Jacob Moreno, who proposed stringing together "now and then
flashes" to unfetter illusion and let imagination run free. The images
we have collected for this series came at a tremendous price, which we explained previously.] |
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unearths some literary gems.
From Vanity Fair, 1921:
***As he walked along he whistled and sang and turned handsprings and flapjacks. [F. Scott Fitzgerald]***The stranger...was trying to buy the land for a song. He was considering what song to offer. [ibid.]***The Skylark is a slugging match in which all the characters aim epigrams at each other and miss.***Bonuses:" 'Odd's fudge " [a composite oath penned by Noel Coward!]A revue entitled, Eh, Bébé!!, by Rire and Sourire [made up by Nathan]A real revue entitled Zig-ZagMany more snippets attached. A couple of notes:"Seeking the Bubble Reputation at the Camera's Mouth": Okay, I have no idea what that headline means."The Younger Generation of French Illustrators": I guess it's unintentional that the photo spread suggests that it's the babies who are this "younger generation" of illustrators? (:v>
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From The Sun Dial by Austin Dobson and illustrated by George Wharton Edwards, 1890.
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Original Content Copyright © 2025 by Craig Conley. All rights reserved.
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